Bureau Brut
Yoann Minet
2016
Bureau Brut
2017
7.1
This is where Droulers starts. The family is inspired by typewritten documents1, and, more broadly, by the archetype of the “typewriter aesthetic.” However, it is not an imitation, but a contemporary interpretation of its shapes, rhythms and restraints.
Its main characteristics come from the imperfections happening when using a typewriter: the ink filling the letters, closed counterpunches, serifs sticking together, etc.2 These accidents are becoming drawing rules, reviewed in a vectorial style as refined as possible.
Droulers keeps the morphological markers of its genre: monospace, a relatively light weight with no contrasts, rectangular serifs and a few distinctive shapes ( “a”, “g”, “R”, “Q”).
The italic is not a simple slant of the Roman, but a real italic with calligraphic elements, where each letter finds its own angle and rhythm.